This woodblock print shows the ‘Plum Garden in Kamata’ 蒲田の梅園 (Kamata no Umezono) otherwise called ‘Umeyashiki Park’ in Kamata. It is designed by Utagawa Hiroshige (1797-1858) as part of the series One Hundred Famous Views of Edo in 1857 (picture no. 27, spring).
The ukiyo-e shows a wide plum garden in the south of Ômori. You see several plum trees in blooming. Some tea houses are surrounded by visitors. On the right there is a palanquin with a blue cushion used for travelling.
This picture is an additional ukiyo-e from Hokusai’s series ‘Thirty-six Views of Mount Fuji’. It is called ‘Tōkaidō Shinagawa Goten’yama no Fuji (東海道品川御殿山の不二)’. Mount Fuji seen from the Gotenyama hill in Shinagawa.
You see a scene in springtime. The trees with flowers in bloom. People are celebrating ‘hanami’ 花見, which means flower viewing. They are having a picnic on the hill or take a walk in the beautiful countryside. It is a tradition until today to do ‘hanami’ with family and friends or colleagues, enjoying the cherry blossoms and sit under a tree, drinking sake, eating and sing songs. Everybody is enjoying the coming of spring.
This triptych presents seven women working at different workstations showing the process of woodblock printmaking, although women were not typically working as artists or crafters in the Edo era. This picture, a woodblock print itself, was made by Utagawa Kunisada (歌川 国貞 1786–1865) in 1857. On the left we see the painter with different colors and brushes. Wood carvers are working in the back at small tables. The person in the middle is brushing on paper, and the woman on the right is sharpening tools.
The making of Japanese woodblock prints is a complex and laborious process:
- It is always a collaboration between artists, wood carvers, printers and publishers.
- First, the painter is drawing the artwork on paper, using black ink with a brush. These outlines are called hanshita-e.
- Second, a skilled wood carver is laying this drawing on a wooden plate and carves the outlines into the wood. Most commonly cherry wood is used in Japan.
- The painter produces more different hanshita-e for each color. These are also handed over to a carver, who produces several woodcuts accordingly.
- These woodcuts are now used as printing-plates one after another. Usually painter and printer discuss the printing order.
- This woodblock-printing technique was established in the 1760s in Japan. It is called nishiki-e 錦絵. The style was made popular by the artist Suzuki Harunobu (鈴木 春信 1725-1770). It was also used later for the ukiyo-e, which became famous in the Edo era, and are therefore known as Edo-e 江戸絵.
Examples for black and white hanshita-e
Drawings (hanshita-e) for a three-volume picture book from Hokusai Katsushika (1760-1849). The drawing was made in 1823-33. (Picture source: https://collections.mfa.org/download/129501)
Utagawa Yoshimune (1817–1880) ca. 1860, from the chapters 4, 5 of Legends of the Dog Warriors. (Picture source: https://www.metmuseum.org/art/collection/search/78752)
For a better understanding the following YouTube videos show the fascinating process of Japanese woodblock printing:
1. Japanese Woodblock Printmaking
“Local printmaker Jennifer Worsley demonstrates the Japanese woodblock printmaking process, also known as moku hanga, using a mix of traditional and contemporary techniques and tools.”
2. Woodblock Printing Process – A Japan Journey
“Tokyo-based woodblock printmaker David Bull narrates a video showing the step-by-step process of making one of the woodblock prints in the 2019 subscription series ‘A Japan Journey’, designed by Jed Henry.”